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Oil Paintings Come From United Kingdom
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Anthony Van Dyck
Dutch 1599-1641 Anthony Van Dyck Locations Flemish painter and draughtsman, active also in Italy and England. He was the leading Flemish painter after Rubens in the first half of the 17th century and in the 18th century was often considered no less than his match. A number of van Dyck studies in oil of characterful heads were included in Rubens estate inventory in 1640, where they were distinguished neither in quality nor in purpose from those stocked by the older master. Although frustrated as a designer of tapestry and, with an almost solitary exception, as a deviser of palatial decoration, van Dyck succeeded brilliantly as an etcher. He was also skilled at organizing reproductive engravers in Antwerp to publish his works, in particular The Iconography (c. 1632-44), comprising scores of contemporary etched and engraved portraits, eventually numbering 100, by which election he revived the Renaissance tradition of promoting images of uomini illustri. His fame as a portrait painter in the cities of the southern Netherlands, as well as in London, Genoa, Rome and Palermo, has never been outshone; and from at least the early 18th century his full-length portraits were especially prized in Genoese, British and Flemish houses, where they were appreciated as much for their own sake as for the identities and families of the sitters.

 
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Anthony Van Dyck Portrait of Lord George Stuart oil painting

Painting ID::  85968

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 Anthony Van Dyck
Portrait of Lord George Stuart
oil on canvas, 218 x 133 cm,1638 cjr
   
   
     

 

 
Anthony Van Dyck Lady Dacre oil painting

Painting ID::  86172

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 Anthony Van Dyck
Lady Dacre
Oil on Canvas. 50 x 40 in. (132 x 105.5 cm). Date 1633(1633) cyf
   
   
     

 

 
Anthony Van Dyck Triumph des Silen oil painting

Painting ID::  87144

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 Anthony Van Dyck
Triumph des Silen
1st third of 17th century Medium Oil on canvas Dimensions Deutsch: 135 x 195 cm cjr
   
   
     

 

 
Anthony Van Dyck Studienkopf eines alten Mannes oil painting

Painting ID::  87548

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 Anthony Van Dyck
Studienkopf eines alten Mannes
um 1618 Medium Oil on oak panel Dimensions Deutsch: 49,5 x 58 cm cjr
   
   
     

 

 
Anthony Van Dyck Portrait of Henri II de Lorraine, duke of Guise oil painting

Painting ID::  88056

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 Anthony Van Dyck
Portrait of Henri II de Lorraine, duke of Guise
oil on canvas.1634 cjr
   
   
     

 

 
Anthony Van Dyck An Apostle oil painting

Painting ID::  88328

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 Anthony Van Dyck
An Apostle
1618(1618) Medium Oil on oak cyf
   
   
     

 

 
Anthony Van Dyck Portrat der Ladies Elisabeth Thimbleby und Dorothy Viscountess Andover oil painting

Painting ID::  88636

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 Anthony Van Dyck
Portrat der Ladies Elisabeth Thimbleby und Dorothy Viscountess Andover
c. 1637 Medium Oil on canvas Dimensions Deutsch: 132 x 150 cm cjr
   
   
     

 

 
Anthony Van Dyck -armed painter Marten Rijckaert oil painting

Painting ID::  88665

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 Anthony Van Dyck
-armed painter Marten Rijckaert
ca1630 Medium Oil on canvas Dimensions 138 x 114 cm (54.3 x 44.9 in) cyf
   
   
     

 

 
Anthony Van Dyck 1st third of 17th century oil painting

Painting ID::  88667

X 
 

 Anthony Van Dyck
1st third of 17th century
Medium Oil on wood cyf
   
   
     

 

 
Anthony Van Dyck Portrat der Marie de Raet oil painting

Painting ID::  88947

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 Anthony Van Dyck
Portrat der Marie de Raet
1631(1631) Medium oil on canvas Dimensions Deutsch: 213 x 120 cm cjr
   
   
     

 

 
Anthony Van Dyck Gefangennahme Simsons oil painting

Painting ID::  89019

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 Anthony Van Dyck
Gefangennahme Simsons
um 1628/1630 Medium Oil on canvas Dimensions Deutsch: oben 5 cm angestxckt: 146 x 254 cm cjr
   
   
     

 

 
Anthony Van Dyck Portrat der Isabella Brandt oil painting

Painting ID::  89352

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 Anthony Van Dyck
Portrat der Isabella Brandt
1623-1626 Medium oil on canvas Dimensions 153 x 120 cm cjr
   
   
     

 

 
Anthony Van Dyck Portrait of James Stuart Duke of Richmond and Lenox oil painting

Painting ID::  89448

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 Anthony Van Dyck
Portrait of James Stuart Duke of Richmond and Lenox
c. 1632-1640 {1637) Medium Oil on canvas Dimensions Deutsch: 216 x 130 cm cjr
   
   
     

 

 
Anthony Van Dyck Portrat der Marchesa Geronima Spinola oil painting

Painting ID::  90084

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 Anthony Van Dyck
Portrat der Marchesa Geronima Spinola
1st third of 17th century Medium oil on canvas Dimensions Deutsch: 221 x 147 cm cjr
   
   
     

 

 
Anthony Van Dyck Portrait of Lord George Stuart oil painting

Painting ID::  90144

X 
 

 Anthony Van Dyck
Portrait of Lord George Stuart
oil on canvas, 218 x 133 cm, National Portrait Gallery, London Date 1638(1638) cyf
   
   
     

 

 
Anthony Van Dyck 1st third of 17th century oil painting

Painting ID::  90305

X 
 

 Anthony Van Dyck
1st third of 17th century
oil on panel cyf
   
   
     

 

 
Anthony Van Dyck Portrait of Theodoor Rombouts oil painting

Painting ID::  90484

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 Anthony Van Dyck
Portrait of Theodoor Rombouts
1632(1632) Medium oil on panel cyf
   
   
     

 

 
Anthony Van Dyck Portrait of Sir William Killigrew oil painting

Painting ID::  90551

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 Anthony Van Dyck
Portrait of Sir William Killigrew
1638(1638) Medium oil on canvas Dimensions Height: 105.2 cm (41.4 in). Width: 84.1 cm (33.1 in). cjr
   
   
     

 

 
Anthony Van Dyck Portrat des Sir Endimion Porter und Selbstportrat Anthonis van Dyck oil painting

Painting ID::  90738

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 Anthony Van Dyck
Portrat des Sir Endimion Porter und Selbstportrat Anthonis van Dyck
c. 1623 Medium oil on canvas cjr
   
   
     

 

 
Anthony Van Dyck Mystische Verlobung des Seligen Hermann Joseph mit Maria oil painting

Painting ID::  90745

X 
 

 Anthony Van Dyck
Mystische Verlobung des Seligen Hermann Joseph mit Maria
um 1629/1630 Medium oil on canvas Dimensions Deutsch: 160 x 128 cm cjr
   
   
     

 
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Anthony Van Dyck
Dutch 1599-1641 Anthony Van Dyck Locations Flemish painter and draughtsman, active also in Italy and England. He was the leading Flemish painter after Rubens in the first half of the 17th century and in the 18th century was often considered no less than his match. A number of van Dyck studies in oil of characterful heads were included in Rubens estate inventory in 1640, where they were distinguished neither in quality nor in purpose from those stocked by the older master. Although frustrated as a designer of tapestry and, with an almost solitary exception, as a deviser of palatial decoration, van Dyck succeeded brilliantly as an etcher. He was also skilled at organizing reproductive engravers in Antwerp to publish his works, in particular The Iconography (c. 1632-44), comprising scores of contemporary etched and engraved portraits, eventually numbering 100, by which election he revived the Renaissance tradition of promoting images of uomini illustri. His fame as a portrait painter in the cities of the southern Netherlands, as well as in London, Genoa, Rome and Palermo, has never been outshone; and from at least the early 18th century his full-length portraits were especially prized in Genoese, British and Flemish houses, where they were appreciated as much for their own sake as for the identities and families of the sitters.